This research aims to reveal the image of Jerusalem in the poetry of Palestinian poet Samih Al-Qasim, through al-quds book, and to show his vision and multiple positions from the city under Israeli occupation, and to investigate the Jerusalem s countenance by imaging its various dimensions in this book such as historical, religious, Political dimension, ... etc. that are considered the first supporting evidence of Jerusalem s identity, through three approaches: (1) The symbolical approach. (2) The resistant approach. (3) The social approach.

Islâm’in ilk kiblesi Mescid-i Aksa ve Peygamber Efendimiz’in Mirac’a çiktigi yer olan Kudüs, Müslümanlar için kutsal yerlerdendir. Ayrica diger semavi dinler için de kutsal bir mekân olan Kudüs, 1917’de Osmanli yönetiminden çikarak Ingilizlerin, 1967’de ise Israil’in yönetimine girer. Bu tarihlerden sonra paylasilamayan ve çatisma alani haline getirilen Filistin, Cahit Zarifoglu’nun deyimiyle “Her mümin kulun önünde” âdeta birer “sinav kâgidi”na dönüsür. Türk ve Arap edebiyatinin modern sair ve yazarlarinin Kudüs’ün yitirilisine dâir kaleme aldiklari çesitli eserler incelendiginde; Cahit Zarifoglu, Sezai Karakoç, Nuri Pakdil, Mehmet Akif Inan, Arif Ay gibi Türk sairlerinin ve Nizar Kabbani, Mahmud Dervis ve Adonis gibi Arap sairlerinin siirlerinde, Kudüs’ün; agit, umut ve direnis temalarinin merkezine yerlestirildigi görülür. Böylece siir, sairlerin elinde kitleleri harekete geçirecek büyük bir güce dönüsür. Sezai Karakoç, Alinyazisi Saati/Kudüs siirinde bombalarin, uçaklarin, tanklarin yer aldigi Kudüs’ün giderek özünü yitirdigini ve “gökte yapilan” bir sehirden “bir toprak sehri”ne dönüstürüldügünü aciyla dile getirir. Cahit Zarifoglu, ? Soru Isaretlerinden Biri ve Daralan Vakitler adli siirlerinde yeniden Kudüs’e sahip olmak adina Müslümanlari direnise davet eder. Zarifoglu, korku ya da para sevgisine kapilanlara seslenerek onlari Filistin ve Kudüs ugrunda sehit olmaya davet eder. Siyasi siirleriyle taninan Nizar Kabbani, Kudüs adli siirinde agita ve gizli bir umuda yer verirken Israil’in Duvarlarina Gerilla Bildirileri adli siirinde direnisi ve umudu canlandirmaya çalisir. Kisacasi Türk ve Arap sairleri Islâm’dan güç alarak siir yoluyla Kudüs yolunda tüm Müslümanlari direnise çagirmaktadirlar. O gün geldiginde agitlar geride kalacak, sadece umut ve dirilis var olacaktir.

Poetic discourse has since ever been a kind of whisper that draws our world and discovers our real life and describes our feelings. it travels to the metaphysics of the human existence to ask knowledgeable and existential questions and feels the breaches of the society and digs in the human contradictions. The poetic discourse is a stream that can’t be conjured and flirted with but for a transparent being that makes of our properties jewelry and reorder things in a ways that leaves us astonished and marveled so it is the golden medium that gives us life and shakes our beliefs. It lets you think about yourself so as to build a new relationship with our surrounding. Poetry taught us that our negative experiences could bear a positive message when it slaps to awake us to revise ourselves and free the hidden energy in us because of fear and illusion. Poetry is a great means that lets us think, feel and assimilate in a pleasurable way even when it beats us; because it puts us elegantly in front of problems that exhaust us and we couldn’t explain. Why does poetry do all that to us? … It does it with its imaginary surprises, with its signifying complexities, symbols, tempo, and with its dramatic energy that tell sufferings and weaknesses of the human being. Yes the human soul’s sufferings are what makes this sensitive being whispers sometimes and explodes some other times and pushes us to follow it and swim in its universe. Loss is one of the most painful and aching feelings; so lover cries his love and the son cries his parents, and parents cry their children and so on, However, the loss of one’s motherland is more painful and more aching … as the Arabic proverb says: “he who loses gold, in the gold market he can find it and he who loses a lover maybe a year and he will forget and he who loses a motherland where is he supposed to find it ….” The place where to live (mother country) couldn’t be expelled from the interest of poets and writers. In this scope we can find a lot of contemporary works of literature that glorifies the motherland or cries it for being far from it or because of losing it.

This research deals with the plastic side of orientalism of Jerusalem, which is directed before it is dealt with in terms of reading, analysis and comparison with the statement of objectives and artists. Many have touched on orientalism and the East, but in terms of documentary, descriptive, political, intellectual or religious, or even reading groups of collectors or orientalist waves. As for dealing with the works that dealt with Jerusalem with its analysis, linking, comparing it and showing its aesthetic or even spiritual aspects, it is rare and not direct. Although the response to Orientalism from the Arab side came late after the process of awareness among researchers, specialists and interested Arabs of the new generations, but it is still limited and limited despite the seriousness of this issue and address the Orientalism in the field of religion and thought and language and others and may be more but in the formation a few, What we see in the work of Edward Said and Khairi Mansour and d. Mohammed Amin BaniAmer and the Orientalist Encyclopedia of Abdul Rahman Badawi. In the area of the formations, most of what was issued falls within the description of the Arab region and was not directed directly to Jerusalem, including what is a translator or description of groups such asdescription of Egypt as part of Napoleon s journey Egypt in the eyes of strangers d. Tharwat Okasha, and Art and Orientalism d. Afif Bahlasi and The East in the Mirror of Arabic Painting Jean Jabbour, as well as the Arab world in the creations of Russian artists in the 19th century d. Abdul Latif Salman, Najd Group and Sheikh Hassan Al Thani Group. In the area of formation and Jerusalem, and from an Arab point of view, it does not exceed artistic articles. On the western side, it did not direct a direct effort to Jerusalem, despite its religious importance to the West. Lorteah, Dean of the Faculty of Medicine in June 1880 in his book Land of Memories on his journey to the Levant.

Yazmaya henüz lise ögrencisi oldugu 1950 li yillarda dergicilikle baslayan ve birçok edebî türde eser veren Nuri Pakdil Türk edebiyatinin önemli simalarindan biridir. Türk edebiyat camiasinda denemeleriyle dikkatleri üzerinde toplayan Nuri Pakdil deneme disinda oyun, günlük, mektup, tercüme ve de siir türünde eserler vermistir. Nuri Pakdil’in siirleri disindaki yazilarinin çogu müstakil kitap olarak nesredilmis; siirleri ise basta Edebiyat dergisinde olmak üzere degisik dergi ve gazetelerde yayinlanmis; ancak 1997 den sonra müstakil kitap olarak basilmaya baslanmistir. Nuri Pakdil: 1969 da Mehmet Akif Inan, Erdem Bayazit, Rasim Özdenören’le birlikte Edebiyat dergisini çikarmaya karar verdigimizde, bizi bu girisime zorlayan etken aslinda tekti: ülkü olarak Baticiligi seçmedigimizi yalnizca yerli düsünceye ve bunun tüm deger yargilarina bagli oldugumuzu söylemek. diyerek yönünü ve sanatini icra edis amacini arkadaslariyla birlikte açiklamistir. Bu baglamda Nuri Pakdil’in siirinin kaynaklarinin ne oldugu daha kapsamli bir sekilde açiklanmaya çalisilacaktir. Nuri Pakdil in siirlerinin iyi anlasilmasi için onun yetistigi çevre ve zihniyet iyi bilinmelidir. Siir, ele alinirken sairin sahsiyetini iyi tanimak ve onun toplum içindeki konumunu iyi anlamak bu baglamda degerlendirmeler yapmak gerekmektedir. O, yerli düsünce dedigi Islâmî referanslari esas alan yoldaki yürüyüsünden hiç vazgeçmemistir. Kendisini daima bir Islâm Devrimcisi olarak ifade etmistir. Yalniz fikirlerini anlatirken edebiyati fikirlerine feda etmemistir. Eserlerinde kendine özgü yeni imgeler ve bir biçim olusturmustur. Nuri Pakdil, birçok yazisinda özellikle de siirlerinde “Kudüs” askini, bayraklastiracak derecede bir tutkuyla ifade eder. Onun bu tutkusu Türk edebiyat ve fikir topluluklari tarafindan kendisinin ‘Kudüs Sairi’ diye adlandirilmasina neden olmustur. Bu yüzden sairin Kudüs içerikli siirlerinde Kudüs’ü hangi bakis açisiyla ele aldigi önemli ve de incelenmeye degerdir.

This research seeks to shed light on the image of Jerusalem and its people in Emile Habibi’s novel Sextet of the Six Days. It also presents the impact of 1948 and 1967 on the Palestinian exodus known as Nakba and Naksa, on Jerusalem’s population, its quarters and stones. The novelist narrates the shapeless return of a nation united under Occupation tanks and spears. The novel handles the humanitarian and social rupture of the Palestinians in general and the people of Jerusalem in the wake of defeat. It, furthermore, depicts the gathering of the Palestinian Diaspora in Palestine after the June War. The researcher aims to explain how the population of Jerusalem, Muslims, and Christians resisted the Occupation. It was their love, harmony and brotherhood that united them, along with the collaboration of Palestinians under the umbrella of both the Cross and Crescent. In the novel, the researcher has presented the close relationship between Jerusalem, the place, and the population who deceived strange policemen when they went through Alsadiya Quarter to Alzahira Gate until they entered the graveyard and covered the tombs with flowers. The researcher saw that Emile Habibi has chosen a number of characters that represented the Palestinian sects, classes and successive Palestinian generations, some of whom lived in the British occupation era, another in the Nakba era (the 1948 war) and the other lived in both eras, the Nakba and Naksa. Thus, through these characters, Emile Habibi is trying to present his vision of how the deal with the Occupation. Besides, the researchers found that the women of Jerusalem are strongly present in the novel. They can be viewed as courageous, patient and tough. They also have a great influence on rallying and preparing fighters. Women can do many things for the sake of their homeland: they wash the prisoners’ clothes, they serve their husband, and they also hard stones at the enemies. The novel Sextet of the Six Days is remarkably teeming with the places of Jerusalem.